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She is eager to receive and transmit the words of the editor and, by extension, the reader. A similar phenomenon occurs in independent trade publishing. Tina Fey. Perversion for Profit: Oxford Univ. During this period, the workplace grew chill as management science suppressed anger, celebration, socializing, and other forms of unproductive expression in order to render workers more docile and reduce labor strife Stearns ,
Playboy, however, shows that even in the s and early s, science fiction circulated alongside literary fiction and erotic photography in a magazine targeted at adult readers. Still, even if the magazine departed from the more restrictive policies of editors such as John C.
Playboy science fiction falls between the Golden Age and the New Wave, addressing taboo themes while inhabiting a masculine, techno-utopian ethos. This seems to suggest that the fundamental innovation in science fiction in the s was not simply that the genre became more candid or mature. Instead, the break between the two eras marked a shift from one form of reader subjectivity to another, with the New Wave disintegrating the Golden Age subject and feminist science fiction revealing its patriarchal provenance.
At the same time, exclusive attention on exceptional authors, editors, or texts obscures broader continuities between one literary era and another.
Most venues remained masculinist in both staffing and editorial policy through the s, making it difficult for writers such as Joanna Russ to land publishers for science fiction challenging gender norms Bacon-Smith , Nor is this a problem limited to genre fiction. Men still predominate in top positions in the broader field of magazine and trade book publishing while women-authored pieces remain in the minority.
Such a project would show how magazines, presses, and more autonomous imprints strive to constitute forms of reader subjectivity through their publications, binding together aesthetic sensibilities, stylistics of existence, and collective identities that are gendered, classed, raced, and sexually oriented.
Rather than simply reflecting the self-understanding of a public, reader norms are constructed to allow publishers to achieve strategic aims ranging from assuring audience loyalty to capturing symbolic capital.
Publication has long been a historical a priori of literature, defining the corpus of widely available texts. Until we understand the politics of editorship, we will not know what subjects remain unpublishable. Women in Literary Arts Magazine-Made America: The Cultural Transformation of the Postwar Periodical.
Cresskill, NJ: Hampton Press, Inc. Ashley, Mike. The Story of the Science Fiction Magazines from to Liverpool Univ. Adams, Thomas R. New York: Bacon-Smith, Camille. Science Fiction Culture.
Barbrook, Richard, and Andy Cameron. Beisel, Nicola Kay. Imperiled Innocents: Princeton, NJ: Princeton Univ. Benjamin, Walter. Schocken Books. Bradbury, Ray. March-May Brady, Frank. Macmillan Publishing Co.
Brier, Evan. A Novel Marketplace: U of Pennsylvania P. Bukatman, Scott. Terminal Identity: Durham, NC: Duke UP. Clarke, Arthur C. Posthuman Metamorphosis: Narratives and Systems. Fordham Univ.
Darnton, Roger. Summer Derrida, Jacques. DeWitt, John. Cool Cars, High Art: The Rise of Kustom Kulture. Press of Mississippi. Dines, Gail. Playboy Magazine and the Mainstreaming of Pornography. Routledge, Dryer, Stan. July Ehrenreich, Barbara. The Hearts of Men: American Dreams and the Flight from Commitment. Anchor Books. Ellison, Harlan.
Pan Books. Glenbrook, CT: Art Direction Book Company. Fiedler, Lesie. June Foucault, Michel. The Birth of Biopolitics: Translated by Graham Burchell. Palgrave Macmillan. The History of Sexuality: An Introduction. Translated by Robert Hurley. Frank, Thomas. The Conquest of Cool: Fraterrigo, Elizabeth.
Oxford Univ. Gertzman, Jay A. Bookleggers and Smuthounds: The Trade in Erotica Glass, Loren. Counterculture Colophon: Stanford, CA: Stanford UP.
Gough-Yates, Anna. Understanding Women's Magazines: Publishing, Markets and Readerships.
Gunelius, Susan. Building Brand Value the Playboy Way. Palgrave MacMillan. Harrison, Niall. April 28 Havemann, Ernest. Hayles, N. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Hine, Thomas. Newport Beach, CA: Presel Publishing.
Jancovich, Mark. Burlington, VT: Kachka, Boris.
Kendrick, Walter. The Secret Museum: Pornography in Modern Culture. Kerouac, Jack. Kittler, Friedrich. Gramophone, Film, Typerwriter. Stanford Univ. Langelaan, George. Le Guin, Ursula K. Lethen, Helmut. Cool Conduct: The Culture of Distance in Weimar Germany. Translated by Don Reneau. Lewis, Philip. Liu, Alan. The Laws of Cool: Knowledge Work and the Culture of Information. U of Chicago P. Mailer, Norman. The Presidential Papers.
Putnam's Sons. McGann, Jerome J. The Textual Condition. McKenzie, D. Bibliography and the Sociology of Texts. Cambridge UP. McLuhan, Marshall. Understanding Media: The Extensions of Man. Cambridge, MA: Miller, Russell. The Real Story of Playboy. Michael Joseph Ltd. Osgerby, Bill. Playboys in Paradise: Peterson, Theodore. Piper, Andrew. Dreaming in Books: Pitzulo, Carrie. Bachelors and Bunnies: The Sexual Politics of Playboy. Pohl, Frederik. April Pountain, Dick and David Robins.
Cool Rules: Anatomy of an Attitude. Reaktion Books. Preciado, Beatriz. Princeton Architectual Press. The Lonely Crowd: A Study of the Changing American Character. New Haven, CT: Yale University Press. Rose, Mark. Authors and Owners: The Invention of Copyright. Harvard UP. Rubin, Gayle. Notes on the 'Political Economy' of Sex. Russell, Ray, ed. Playboy Press. Bad Girls Go Everywhere: The Life of Helen Gurley Brown.
Sedgwick, Eve Kosofsky. Between Men: English Literature and Male Homosocial Desire. Columbia UP. Silverstein, Shel.
March Spencer, Susan. Infobase Publishing. Stearns, Peter N. American Cool: Constructing a Twentieth-Century Emotional Style. New York Univ. Strub, Whitney. Perversion for Profit: Columbia UP: New York. Suvin, Darko.
Trogdon, Robert W. The Lousy Racket: Hemingway, Scribners, and the Business of Literature.
Kent, OH: Kent State Univ. Turner, Fred. From Counterculture to Cyberculture: Women in Literary Arts. Vettel-Becker, Patricia. Shooting from the Hip: Photography, Masculinity, and Postwar America.
U of Minnesota P. Watts, Steven. Music 15, News, General Interest 28, Publication Name see all. Life 20, Nintendo Power Outdoor Life Playboy Pre 2, Seventeen Time 20, TV Guide 7, Vogue 4, Issue Type see all. Weekly 48, Monthly , Bimonthly 11, Quarterly 7, Annual 5, Special Issue 9, Language see all. English , Japanese 13, Condition see all.
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