caite.info Lifestyle MIROSLAV PHILHARMONIK MANUAL PDF

Miroslav philharmonik manual pdf

Thursday, May 9, 2019 admin Comments(0)

Are there instructions or a user guide to get it all going please. PDF manual is installed on your hard drive in the below locations.. For Mac. Miroslav Philharmonik Sound Set User Manual - Download as PDF File .pdf), Text File .txt) or read online. Philharmonik 2 CE* for Mac/PC, Miroslav Philharmonik 2 for . needs. Refer to the dedicated section on this manual (section );.


Author: FRIDA MALGIERI
Language: English, Spanish, German
Country: Maldives
Genre: Personal Growth
Pages: 459
Published (Last): 17.12.2015
ISBN: 588-9-80534-988-5
ePub File Size: 22.34 MB
PDF File Size: 11.84 MB
Distribution: Free* [*Regsitration Required]
Downloads: 31010
Uploaded by: LEXIE

IK Multimedia. Musicians First. User Manual Starting Miroslav Philharmonik in Cubase® VST and Cubase® SX. Starting Miroslav Philharmonik in Logic®. Sound Manual Miroslav Philharmonik Sounds Collection pag. 11 . Miroslav Philharmonik includes more than 1, orchestral and choir sounds and over. Miroslav Philharmonik - Sibelius Sound Set User Manual | Miroslav Philharmonik. 01 Documentation. Miroslav Philharmonik Sound Set User Manual .pdf.

Don't waste your valuable time scouring the web for information you may never find or is cumbersome to use and potentially can't be trusted. Articulation markings are in effect for the duration of the note to which they are attached. Since I follow Groove 3 so much and have learnt a lot from your videos I just took it on the The face value hoping that it would be a great value for money but was Disappointed to see its lack of content. I would approach it in the following way: Manuscript Template Sibelius 7 06 Patches z. Files in this user manual.

Playback Devices If using a sound set that enables Sibelius to load sounds automatically. To create a new playback configuration. Click New…. If Sibelius is not able to load sounds automatically. When you create a configuration. At the top of this dialog Sibelius displays the name of the currently active playback configuration. Assigning Sounds. Click the Save button at the top of the Playback Devices dialog to save your changes. Playback Configuration 5.

Scenario 1. A manual sound set tells Sibelius what sounds are available and the device and MIDI channel where those sounds can be found. There are two broad scenarios in which manual sound sets are used. With a sound set XML file. Without this information. Scenario 2. Automatic loading. The term manual sound set is often a source of confusion. For libraries that cannot be loaded automatically.

Other Media Files : IK Multimedia Miroslav Philharmonik 2

Perhaps most familiar is the automatic loading method. When discussed in the next section. Sibelius still must be told where the sounds are located. The differences are subtle. Most devices support 16 MIDI channels. Select a device using the Devices drop-down menu and click the Show… button to display the plugin interface. Device Setup select the device s for which a manual sound set will be defined and check the box next to Use manual sound set.

Patch Assignment Select the device you want to configure from the Device drop-down menu. Using the Device drop-down menu. Manual Sound Set. Once channels are assigned. Click the Save button at the top of the Playback Devices dialog to save your assignments.

Manual Sound Sets before proceeding with these instructions. Click the Apply button at the bottom of the dialog to apply your channel assignment. Continue assigning sounds in this manner until all sounds you require have been assigned to a device and MIDI channel. Under Sound Settings enter an unassigned MIDI channel number in the Channel field and then use the Program name drop-down menu to select the desired instrument patch from the sound set.

If using sounds outside of Sibelius. Selecting the Sound Set. VST Host. Because playback configurations are separate from scores. For each channel assignment in your manual sound set. Repeat this for each device in the configuration that uses a manual sound set.

In order to preserve your changes and manually loaded sounds for your next session. When finished. Preferred Sounds..

When assigning channels. Two or more sound sets. The issue that presents itself here is the possibility of saving automatically loaded sounds with the configuration. Double-loading may not be a serious issue for you depending on how powerful your computer is specifically.

Multiple sound sets may also result in duplication of instruments i. The playback configuration can be created normally. At best it will increase the time needed to load the configuration as sounds are loaded.

There are. There are three distinct cases worth noting. A device needs to be added to the configuration for each sound set that will be used. With each device assigned to a different sound set. If there is anything to be mindful of. Since automatically loaded sounds are always loaded directly from the library. Sibelius will then allocate and load sounds for the staves in the score using the instrument definitions found in the active sound sets.

In a default Sibelius 7 installation. For more information on double-loading and how to resolve it once it has happened. Sibelius 7 users can either create a new Blank score. This will allow you to create the configuration and save your manually loaded sounds before Sibelius attempts to load anything automatically.

You might also like: MAGICAL TACTICS MANUAL PDF

Once saved. The best way to avoid this is to create your mixed automatic and manual loading playback configuration before opening a score. In order to create a mixed configuration as described here.

This poses a problem because Sibelius will arbitrarily select one of these sounds which may or may not be the desired sound. Preferred Sounds. They should be used in addition to any channel assignments made in a manual sound set. Preferred Sounds rules can be added in the playback configuration. For example. Even though the patch names in the sound sets are probably different.

Be sure to save the playback configuration after adding or editing rules so that the changes are stored. The more specific your selection. Select a sound ID using the expanding list at the left of this dialog. Using Preferred Sounds.

To instruct Sibelius from which device a sound should play. My Other Plugin This second. Using the solo violin example. If the violin section sound should play from a different device than the solo violin sound. An important aspect of preferred sound assignments is the use of wildcard characters in the sound IDs that are selected. For the sound ID: In this case. Secondary purposes include altering transpositions. The prefix for the Miroslav Philharmonik Classik library is: This is accomplished by assigning each staff to a specific.

Staves are not defined for individual articulations e. House Styles Their primary purpose is to ensure sounds allocate properly and articulations switch correctly for every patch in a library. Staves are further sorted within the ensemble by instrument type brass.

Each individual staff contains a prefix identifier in brackets indicating what library the staff is designed for. Depending on the library and its programming. Sibelius 7 The custom staves can be found in an ensemble.

Instrument Staves. A root patch is any patch defined as the default sound for an instrument e. In-score names can be changed to whatever you like without compromising functionality. The staff name displayed in these dialogs consists of the library prefix. The names written in the score generally reflect standard naming conventions for the instrument.. In cases where multiple staves are available for a patch.

IK Multimedia

This name is for your reference only and will not print in the score. Several different staves may be available for a single instrument that account for different ways of writing for that instrument. A full list of entries the Miroslav Philharmonik House Style adds to the playback dictionary can be found in Appendix A: Additional Playback Terms.

Where exceptions are made and default entries are modified. As such. In order for multiple sound sets and House Styles to be used together. The Miroslav Philharmonik House Style contains a significantly modified and extended playback dictionary in order to accommodate all of the sounds available in the Miroslav Philharmonik library. Sibelius is able to match written techniques to the appropriate sound in a library or device.

Using the changes defined in the dictionary. Existing Scores. A majority of these settings can be eliminated simply by importing the House Style using the options indicated in Section 4.

Your score now contains all of the playback settings for the Miroslav Philharmonik library and will use the desired fonts.

As a result. Section 4. New Scores Manuscript. If your score uses these fonts. Click OK to import this House Style. Select a House Style that uses the desired fonts from the list at the left. To restore the desired Text Styles and fonts. Because certain playback settings are dependant on Text Styles.

The settings transferred in the Miroslav Philharmonik House Style are intended solely for playback purposes and they do not impose. Import all House Styles to be used for playback purposes prior to importing the House Style that will reset Text Styles and fonts..

The ability to move these settings collectively is one of the factors that makes integrations like this one possible. Text Styles are a notable exception. Each of these methods creates sound changes in slightly different ways. The fallback behavior. Articulation Markings Includes such markings as staccato. Articulation marks generally change sounds by way of a sound ID change. Through the sound set these instructions are interpreted and the appropriate MIDI data is generated.

The two most common issues. Using articulation markings is perhaps the most obvious way of changing sounds in a score. Articulation markings are in effect for the duration of the note to which they are attached. Working with Sounds 7. In practice this will have little effect on your work since the sound set and House Styles are built to accommodate these inconsistencies. Sibelius will shorten the note duration to mimic the staccato effect.

Symbols may also be used. While some text instructions come in natural pairs such as pizzicato and arco. Differences between markup for live players and computer playback are quite evident here. Text Instructions Given that there are a limited number of articulation markings but seemingly infinite technique variations. Sibelius reacts to markings literally.

When written. Sibelius is not able to look ahead to determine the ending pitch and instead must wait for that note to be triggered before applying the transition effect. While the slur marking will create a sound ID change at the beginning of the first note. Lines Staff lines are similar to articulation marks with two notable differences: The transition will then sound for each note under the slur line.

Staff lines require less discussion than articulations or text instructions. Though not a perfect solution in every situation. The result is a transition that triggers in the space of the second note rather than the space between notes. Live players accomplish this by looking ahead. Playback of slurs is dependent on a minimum of two notes.

By contrast. The Attack and Dynamic values are set in the playback dictionary. Different libraries and devices use different methods of controlling dynamic and attack levels. Enter the dynamic mark that should appear print in the score followed by a hidden marking that is the same as the ending dynamic.

These patches are generally preferable in Sibelius as they allow for smooth crescendo and diminuendos over sustained notes. Separate Velocity Layers Patches programmed with separate velocity layers allow attack and dynamic to be controlled separately. Depending on patch programming. While there are exceptions to this. Perhaps the best workaround is to utilize hidden dynamics and a plugin to create a smooth dynamic change that ends at the desired level. In the right. On the Flexi-time tab.

Overdub Flexi-time. Under Voices at the upper right. By using the Cresc. Recording Dynamics As evidenced by the workaround presented above. If you are working with a MIDI keyboard or controller that is capable of inputting continuous data via a fader.

Playback plugin. Align the playback cursor where you would like to record dynamics. Sound Assignments Two types of sound assignment are possible using the mixer.

Philharmonik pdf miroslav manual

Unlike staff channel strips. For devices that offer a secondary volume control via CC Note that the display in the mixer will not track these changes. Doing so can result in incorrect sound allocation.

As these are MIDI-level controls. For staff channel strips.

Documents, presets, manuals IK Multimedia Miroslav Philharmonik 2 - Audiofanzine

With the exception of sound assignments. By balancing the output levels at the plugin stage.

Although generally of little consequence. The virtual instrument faders in particular are useful when mixing libraries together that have widely varied output. The trouble caused by doing this is not often obvious. This is repeated for each staff in the score until all staves are allocated to an appropriate device and sound. Sibelius determines how to allocate a staff based on the sound IDs available in the sound set. The explanation lies in the way Sibelius allocates sounds. Preferred Sounds Section 5.

Manual Sound Sets. Simple and elegant. Once selected. Enter a name and then click OK to create the derivative configuration. The configuration includes manual sound set channel assignments and Preferred Sounds rules for the Miroslav Philharmonik instruments and divides the sounds among several Philharmonik instances.

To copy the default settings to a new configuration.

Miroslav Philharmonik Sound Set User Manual

When complete. Each preset file corresponds to a Philharmonik instance in the provided playback configuration. Although the playback configuration can be used directly. However used. This configuration can be used as is. Using Philharmonik 8. If sounds do not load correctly. Playback Configuration. Using the Configuration drop-down menu.

Patch and channel assignments for the provided configuration are given in Appendix C: Channel Assignments. Select To select the configuration. External Host Third-party software used to load virtual instruments. Plugins loaded activated in Sibelius are said to be hosted in Sibelius. Latency The time between an instruction to play a note and when that note actually sounds.

AU Audio Unit. Common Terms While working with the sound set. House Style A set of rules. To alleviate confusion and improve understanding.

An external host may communicate with Sibelius via virtual or physical MIDI connections or other proprietary software interface.

Automatic Loading A feature available to certain software plugins whereby Sibelius is able to load required instrument sounds without user input. Host Program The software application in which virtual instrument plugins are loaded and configured. Explore some ways of using and customizing the built in macro controls, and learn how to create a velocity split multi.

Miroslav Philharmonik has carved a niche for itself in the crowded landscape of orchestral libraries by offering sounds focusing on emotional character. In this info-packed tutorial series, studio expert Eli Krantzberg demonstrates how to pull every last nuance out of this impressive virtual string instrument. This leads directly into a video on how to work with Multis. Philharmonik 2 can also be used in a live context.

Eli demonstrates how to work with Patterns to set up Note Triggers, and how to use the Live Tab to Create Set Lists that contain multiple songs consisting of different Multis. There are many things our users love about Groove3, but a couple always stand out at the top when asked why people choose us as their learning resource.

We meticulously craft professional quality tutorials that are thoughtful, informative and done with attention to detail. Our library brings over hours of quality instruction to you fingertips and we release new content every week. Don't waste your valuable time scouring the web for information you may never find or is cumbersome to use and potentially can't be trusted.

Philharmonik manual pdf miroslav

I had purchased MP2 but couldn't figure out how to use it, let alone, get the most out of it the IK user manual sucks. The videos of Groove3 provided exactly the help I needed! The videos are well produced, in depth and easy to follow. I love the fact I can go back and review the videos as a group or just the ones I need. The products Groove3 offers are fairly priced and well worth the investment! Beginner, Musician, Logic Pro.

I am not familiar with working with DAWs yet, and would have appreciated a little more detail - specifically with Logic Pro and it's integration with MP2. Perhaps in another more advanced tutorial? Also, there were buttons, drop-downs that were out of the frame - again, with more familiarity with the UI which he obviously had that would have been find; but not for a rank beginner, like me.

Learned many new things regarding Miroslav that I will surely use to improve my music. The Presenter was excellent. It was a good overview. As a viewer I expected a little more content. Guys you missed on following things: Since I follow Groove 3 so much and have learnt a lot from your videos I just took it on the The face value hoping that it would be a great value for money but was Disappointed to see its lack of content.

I wouldn't have mind paying a little more. Bought this to get an introduction to Miroslav 2. I was especially interessted in how to humanize and edit instrument scores since I had no prior experience in that field and the manual of Miroslav 2 is a bit of a mess for a beginner with the instrument. Would have wished for some more details but as an introduction this course works OK. I started playing drums in high school at age fourteen.

Like most kids my age around then, I was into progressive rock.

Pdf manual miroslav philharmonik

Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me.

I am currently an Apple certified Logic Pro. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music. It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc.

Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings. It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing.

Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior. I opened up my own commercial home studio in and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way.

Philharmonik manual pdf miroslav

A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast!

And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools. Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction.

Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it.

At least that's the way it should be! As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the film called Civic Duty - which was certainly one of the highlights of my professional life as a composer.

I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create.

My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.

Eli Krantzberg returns, this time showing you the incredible AAS Chromaphone creative percussive synthesizer. This synth is capable of creating incredibly expressive drum, percussion, string, and synth-like instruments, so hold the phone and check it out! In this FREE series commissioned by Applied Acoustic Systems, Eli Krantzberg covers the expansive performance library of electric and acoustic guitar strumming inside and out, and shows you how to make Strum GS-2 your new favorite session guitarist!

Eli Krantzberg returns with an in-depth series on the amazing AirEQ by Eiosis, which was designed with a vision of achieving musical, technical and sonic excellence in equalization. This just might become your to go-to EQ! Logic Pro X In this three-hour video training tutorial series, Eli Krantzberg teaches you how to become a Alchemy wizard and unleash all of its power on your music!

Studio master Eli Krantzberg shows you everything you need to know about Maestro 2, as well as how to get the best performance out of your Apogee interface and improve your workflow. Do you need horn parts for your Pop songs and productions? Well Eli Krantzberg shows you just what you need to know to create killer horn section parts for both real horns or MIDI programmed horns! Let studio wiz Eli Krantzberg show you how you can use this unique plug-in creatively in your own productions and make original effects and instruments!

Supercharge your drums and beats with the insanely powerful virtual drum sampler Battery 4 by Native Instruments! Eli Krantzberg shows you all you need to know about the new Battery 4, covering all the features and functions so you can take advantage of Battery's full power.

BFD3 by FXpansion is their next generation acoustic drum studio, ready to create realistic, studio quality drum tracks and grooves. Let BFD master Eli Krantzberg show you how to get the most out of this powerful software and make professional sounding, record ready drum tracks fast! Have BFD2? Want to know how to get the most from it? Learn it all from the beginning to end and become a BFD2 master. Get up and running fast and start making ultra-realistic backing tracks easily for your songs today!

Get up and running fast and start making ultra-realistic backing tracks easily for your songs today. Need a squeeze? Learn all about these amazing beasts of compression and how to use them on various instruments.

Let studio wiz Eli Krantzberg show you all about them and what these meticulously modeled plug-ins can do for your mixes and productions! Studio pro Eli Krantzberg is your guide, covering this group of awesome plug-ins inside and out. Learn to make beats that were never heard before with iZotope's revolutionary BreakTweaker software! Drum and studio guru Eli Krantzberg takes you on an all-encompassing journey through this ever-evolving drum sculpting and beat sequencing instrument!

Do you sometimes find it hard to get started with a new song or musical idea? Well, studio guru El Krantzberg shares some of his awesome techniques to help get your creative juices flowing. Learn solid methods for inspiring new ideas and write your next masterpiece! The next step in your Digital Performer 8 training arsenal is here! This series by DAW expert Eli Krantzberg is almost 6 hours and takes you from the beginning all the way to exporting your song for all the world to hear.

If you're new to Digital Performer 8, or just want to freshen up on this truly deep and powerful DAW, look no further. Let mad drum scientist Eli Krantzberg show you how to pump new life into your productions and songs with this electrifying virtual drum instrument!

Learn to program drums like a real drummer! Eli Krantzberg, musician and DAW extraordinaire, shows you all of a drummer's "secret weapons" that make real drumming sound, well Your beats and fills will be so much better and authentic sounding after watching this series Eli guarantees it! In these in-depth video tutorials, Eli Krantzberg shows you the ins and outs of this amazing plug-in, plus how to silence annoying and troublesome sibilance in your recordings and tracks!

Equalization or "EQ" as it's commonly referred to, is the most basic, but important effect you'll apply to your tracks and recordings. But do you really know how to effectively use it, or better yet, how to not use it?

Eli Krantzberg is back yet again with another truly awesome product, "EQ Explained". So dig in and learn to sculpt your sound like a true sonic artist. Learn it inside and out, as well as how to use it on different sounds and instruments! Orchestral and studio guru Eli Krantzberg returns, bringing you the definitive collection of video tutorials for the amazing EastWest Quantum Leap Symphonic Orchestra virtual instrument. In this video tutorial series studio expert Eli Krantzberg reveals all of its secrets as well as how to use it to breathe life into your productions.

Get step by step instruction on all its features, as well as how to creatively apply it to your instruments and tracks. Logic Pro X gives you a lot of powerful export options and tools, and in this tutorial series Certified Logic Pro Eli Krantzberg walks you through the process, as well as shares best practices and creative optimizations for your workflow.

Do you want to know how to use one of the most powerful virtual samplers in existence? Is the songwriter in you looking for an easy way to write music?

Look no further than "EZkeys Explaine"! In this micro series, Eli Krantzberg breaks down the simply superb Toontack EZkeys plug-in and shows you all of its features and functions as well how to lay out your own song. Eli Krantzberg reveals everything you need to know about the awesome new reverb plug-in from FabFilter, the Pro-R! Learn all about its features and functions as well as how to use it on your tracks. Have a musical idea and want to compose, record, and mix it into a song using Apple GarageBand?

Well In this 90 minute series, Eli Krantzberg shows you how to do just that! PreSonus Studio One gives you everything you need to take your musical ideas and turn them into a complete, shareable masterpiece. In this in-depth video tutorial series, Eli Krantzberg shows you how to go from idea to finished product and everything in between using just Studio One. Eli returns with more great FL Studio video tutorials!

Have Apple Logic 9? Then you need to master FlexTime. This in-depth series by Apple Certified Logic Pro Eli Krantzberg takes you from the first step to last of using FlexTime and then shows you how to use it with great results on the most common instruments. Eli will teach you how to record, mix, and share your own songs using nothing but your iOS device.

Presented by music guru Eli Krantzberg, this series is all about Garritan Instant and Personal Orchestra virtual instruments. Follow along with Eli as he covers these stunning virtual libraries in the powerful ARIA player inside and out. Studio guru Eli Krantzberg presents an in-depth video tutorial series on Gating!

Learn what Gating is and how to apply it to your tracks for a clearer mix, or to add special effects and processing to your sounds. Eli Krantzberg shows you everything you need to know to get going with iZotope Nectar 3, including using it creatively in your productions with this in-depth video tutorial series. Music Theory master Eli Krantzberg is back yet again with an amazing new theory video collection, this time focused on all that is Jazz. You'll learn the necessary basics, as well as more advanced topics such as chords and voicings, scales, licks, modes, chord substitutions and much, much more.

From beginning to end, it's all here, waiting for you to use to get the most out of Kontakt. You'll learn everything you need to know to get started and make music with the vast and powerful Apple Logic 8 DAW software. Don't waste any more time, learn how to use it like a pro today. These videos aren't a rehashed Logic 8 offering, they're completely new videos shot entirely in the new Logic 9. There is not a more thorough single offering for Logic 9.

With nearly 2 hours covering every new feature and change, this is the most comprehensive series on the Logic Pro X Now that Logic Pro X The Logic Pro X Eli Krantzberg serves up in-depth video tutorials on the hot new Logic Pro X release, version See and hear all the cool new features and functions, and how to use them in your productions. Get up to speed fast! See, hear and learn all about the amazing new features and functions in-depth, and how to use them in your songs and productions.

Eli Krantzberg brings you the most in-depth videos available about all the new features and functions found in the Logic Pro X Eli Krantzberg brings you in-depth video tutorials all about the Logic Pro X Apple Logic Certified Pro Eli Krantzberg has created a new series for Logic users who want to work faster, more efficiently and increase their creativity. Learn what all the features of this power packed virtual drum instrument do, as well as how to effectively use them to create amazing acoustic and electronic drum parts for your songs and productions.

If you're ready to learn Logic Pro X, this is the best way to learn it. Eli takes you from never using Logic Pro X, to recording tracks, all the way to mixing and sharing your first project in 60 minutes. If you use Logic Pro X, this series is a must see. Gain the power of control and time savings, as well as creative uses for the almighty feature set of key commands in LPX. Do you use Apple Logic Pro X?

The new Logic Pro X introduced some new, way cool MIDI plug-ins that can really inspire, create new parts for your songs and allow you to tweak until your heart's content. If you're new to Logic Pro X, or just want to better understand the art of routing and signal flow, this is the series to watch. Logic Superman Eli Krantzberg breaks down everything you need to know about both basic and advanced routing and signal flow in Logic Pro X, making your workflow more efficient and inspired.

See what you've been missing! Learn all there is to know about this authentic sounding keyboard and more! Get ready to blast off with "MachFive 3 Explained".

Learn all the features and functions of McDSP's unique plug-ins and see and hear them in-action on individual instruments as well a mix. If you use these plug-ins, why not get the most out of them? Updated for version 2. Shot with the latest DNA version! In this in-depth video tutorial series, Melodyne expert Eli Krantzberg goes beyond Melodyne 4 Explained and dives deeper into Melodyne 4's power features, showing you how to unleash the full creative potential of this "must have" pitch and time manipulation tool.

In this in-depth video tutorial series computer music guru Eli Krantzberg shows you how Celemony Melodyne 4 gives you complete control over the pitch and timing of every track in your project. Music theory master Eli Krantzberg has heard your requests for an in-depth series all about MIDI orchestration and has delivered big time. This series is designed for those of you who want to create realistic symphony orchestrations using todays awesome symphonic virtual instruments.

If you want to compose for film, TV or just to get what's in your head outside for all to hear, this collection is for you. Logic Pro X is a powerful tool for mixing. In this tutorial video series, Eli Krantzberg demonstrates how to use Logic Pro X to mix drum tracks and get a polished professional sound. Eli Krantzberg is your host on this epic journey of mixing with Slate plug-ins!