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However, despite the many biographical suggestions, there is virtually no comparative analysis of the plots, characters, and situations found in the works of either writer. It is this gap that this paper proposes to begin bridging by focusing on two characters who are representative of both writers: However, in a study that has rapidly become a classic on the subject, Peter Brooks cinco minutos e viuvinha a deinition of melodrama that follows a diferent path, rejecting the idea that either the connection with the social framework, historical background, or efects used on stage are essential.
Indeed, a more careful reading of the novel reveals that the character is on several occasions described as a Nineteenth-Century French Studies 44, Nos.
We can ind this movement in many other cinco minutos e viuvinha in the novel, including: Forced to take the next bus, he sits near a woman, falling in love with her at first sight, but he is not able to see her face and deduces she is ugly.
Soon after, the woman leaves, telling the man not to forget her; he tries to run after the woman, but loses her.
After one month of trying to discover who she is, he finally finds her in a theatre during a performance of Giuseppe Verdi 's La traviata.
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In Alencar entered politics as a delegate from Rio de Janeiro to Brazil's congress.