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Photoshop Creative Brasil Ed. pdf - Free download as PDF File .pdf), Text File .txt) or read online for free. Photoshop Creative Brasil - pdf - Free download as PDF File .pdf) or read online for free. Photoshop Creative - Issue pdf - Download as PDF File .pdf), Text File image was created for a Photoshop competition in caite.info items to.
We love the use of texture and colour in this piece. If things look an absolute mess. If Using the Clarity slider necessary. Also detail 3. Or a tactical vest and combat helmet for an Apocalypse survivor? Free Transform command.
This is a very fun exercise because and make your own guitar! Select the other layer. Show us your incredible scenes Search for photoshopcreative On the FileSilo Start images Download your free resources at www. Finally make a mask Via Copy. And Photoshop is the perfect tool to give about which tools will make the scene perfect.
Once that is done. Activate the selection. Duplicate it. In always a good learning task. I spent a lot of time creating image. Another in advertising agencies. Invert it Multiply and mix with the background using Lasso tool. I learned. Use the Dodge tool to make some activate all the guitar detail layers from step 3 must be out of the layer group folder.
Also detail 3. Color Balance Add other waves following the same procedure. With white as your selected Group layers with masks Add the water colour. These waves the water. Make a mask to erase the unnecessary parts and to mix the image with 08 Select the group folder from the middle of the guitar and put it above the water layer folder. With the Warp command. Make a layer and paint it.
Make a mask to erase unnecessary 10 Duplicate the layer of the guitar strings. Change the Opacity 04 Make a new layer. To have more the layer selection activated. With the Pen tool.
Make a mask on the bottom of the palms to mix with the sand. Make a mask and erase the unnecessary parts. A good tip is to use a combination of the Brush tool and blend modes. Tutorial Create a water guitar with layers Expert tip Explore the blend modes Every time you create any kind of composite scene. Flip the image vertically and make colour adjustments using Levels 0. The idea press the Add Layer Mask button. Create a new layer and with the Pen tool.
We can do this with the Crop tool C. All you have to do is disable the option to Delete Cropped Pixels. This is very helpful in advertising when you have to create different-sized documents with the same image.
Another thing that is possible is to change the artwork size without losing any information. Work on the final details Make highlights and colour adjustments 14 Put some waves around the middle part.
Select the photo. To do this. Finally with the Warp tool. Adjust document size The original size of the artwork was x mm. With this tool it is possible to automatically redefine the size using measurements. Remove her hands then. Make a white circle with the Elliptical activated. To create this image. This sounds like an obvious tip. Photoshop through following abstract style. In addition to using Photoshop to masks.
Before challenge for me. By this we mean the best photo and make an original portrait! Set the background Add some ink Quick mask 01 Create a new document that is x mm. So tackling that catches your eye. Make Press Q again. Share your abstract portraits Tweet us pshopcreative Duplicate the layer folder and place the flower in the activated and using the configuration 0. Make a folder mask and add the texture.
Then High Pass filter set to 1px and change the change the blend mode to Soft Light. To make the image look sharper. Use the Dodge tool to enhance the highlights. Use the Burn tool to enhance using the Color Balance tool. Put this Select the flower shape and make a folder the blend mode to Soft Light.
Apply a 2px feather. Change the blend mode to Multiply and correct the colour tone with the Levels tool 0. Apply a 3px feather. With a soft black brush. With the Rectangular Mix flower and inks Marquee tool M. Change the blend mode to Multiply and use Levels set to 0. Apply a px feather. Make the shadow. Change the blend mode to Multiply and then duplicate the layer four times. Place it as shown above and change the blend mode to Screen. Place them as shown above. To enhance the highlights and shadows of the entire image.
Finally make a mask to erase unnecessary parts. Make a Go to the Adjustments menu. To apply. Change the blend mode to step 4.
Change the blend mode to Multiply and use the Levels tool set to 0. To change the colour to yellow. Set the Levels tool to Add the texture change the colour. Duplicate and put it on the right side. Place the first ink on the left side. Masks enable you to edit while preserving the original image. The images used in this tutorial are provided and prevent such incidents from happening again on the FileSilo.
We addressing additional details not covered by the than 10 years. In this tutorial. Pull in the white point to the composition. Ignore the fur or hair for now. Check out the latest blog www. Pull down the middle slightly on a Curves images used in this tutorial are available on Place and match the position with the legs of adjustment.
Levels adjustment. Place them to roughly work out the other lion. Angular Softness to Smoothness to Set Edge Width to 1. Detail to 3. Pull up the middle the whiskers. With a bigger Soft Round brush. Set Brush Spacing 05 Group the layers into a Lion folder. Set this layer to Soft Light.
Brightness to You are actually desirable. Bristle Palette Knife. For the head. Drag this into your composition. Drag the Lion folder underneath in our tutorial. You have simulated a sketched lion using filters. Scale at 0. Shine at 0.
Set Stroke Size to For the body. Duplicate this copied layer twice. Oil Paint. Resize accordingly.
Select the colour copy. Set Stylization. Copy layer to Multiply. Select the white area and set Fuzziness to Finish the extraction Import Brush Clip-mask all adjustment layers to the tree. On a Levels adjustment. Create background base textures Colour the tree 14 Fill the background base with efe1be. Colour the leaves by brushing in 3ce on a new layer. To extract the tree. Hide the rest of the layers. Press selection to mask the group.
Select the in the middle. Group the layers and then set the group to Overlay mode. Import the following textures from FileSilo: Set this the right. Match the top to the canvas.
Paste on a new layer. You can employ this method to mask other ink splashes for is white. Use this 11 Repeat step 2 to 9 for all the elements. Create white-paint glows Work more on the colours Gel the colours 23 Import the following ink textures. Group both Levels adjustment underneath the Texture simulates a white-paint glow around them.
Set Brush Spacing: Hue folder.
Set layer to Screen. Set cccc66 as the colour. Add a under rhino. Spacing and the brush so the grass goes outwards. Scattering to create your desired style. Apply the Oil Paint filter as in step 6. Import Cooling Filter Brush in a layer of white sparkles behind the animals. Keep to the Brush horizontally to create a line of grass. Place more textures Add in the sun 21 Import.
Repeat using a white brush for green. Sketch the tree details Sketch more details 29 Repeat step 26 for other elements. When completed. Repeat this on increased brush spacing and bigger brush outlines. Amount at Select the 2B Pencil under the tool preset. Erase some small dots. With a Hard Round green brush.
This creates smooth and clean. Brush in across the cheek. Repeat sketches. This Fill a new layer with a radial white to introduces subtle noise black gradient. On a new layer using squash the height of the layer so that the gradually building up several layers with brush size Gaussian Blur with the elements.
Pick up colours from the animals and spread the strokes outwards. Copy merge the grass layers. Use a smaller brush size for detail another layer. Add dots and scribbles. You have added colour and parts of a stroke to create dotted lines. For now though. Set it to Linear. Want to switch between the Dodge and Burn tools?
On the FileSilo Start images Download your free resources at www. There 10 years ago and have been tool. Open the Gradient Editor. Grab the Gradient tool G.
To make a more precise selection. Shift and drag from top to bottom. In Options. Place the brush In Options. Grab a soft brush B and gently paint the bottom of the clock. The distortion is stronger at the centre of the brush area.
If things look an absolute mess. Duplicate and merge Use custom brushes 09 Hold Shift and select all the clock-related layers. Hide the Clock Main Layers group.
Hit thumbnail to reactivate the selection Forward Warp tool W. Shift Edge: Select the cut.
Now click on the layer Clock px and Pressure of Hit OK when done. Check 05 First hide the Clock Copy layer. Name it Clock Main Layers. Resize it as in the clock. Grab the Quick Selection tool W and select the basket.
Resize the image and place under the legs. Now create a layer mask. Place the brush over the leg tip. Use the Burn tool with similar Duplicate and place more clocks. Keep image.
Enhance the mask using a hard brush. Change the opposite side. Type mm Prime and click OK. Press Selection. Grab the Forward Warp tool. Place around the canvas. Fill it with black. From those first photo edits all the way through to beautifully rendered i ulations Also available… A world of content at your fingertips Whether you love gaming. A great new times faster. Brushes and type preview are also advantage of enhanced searching to find the feature to use with Refine Edge. Photoshop and Photoshop-compatible colour apps.
This is a great tool for retouchers or just any photo editor wanting their subjects to smile. Typekit will store them for you. Now when you crop a photo to a larger size. Face Aware technology comes to the Crop tool. InDesign can now sort swatches by colour values. Sketch is optimised for 3D Touch support. This option can be turned off.
The Match Font tool will suggest a list of similar fonts when you select an area of text. The spatters and strokes are into a finished masterpiece. Follow us at www. Try it out on an image of impressive-looking pictures. On a new layer. While brushes all interact together. With a 5px. This going to build lots of layers — briefly hide the layer. Try strokes over the darker areas of the face. Place some strokes Insert some splatters 09 With the majority of your painted layers masked out.
Add highlights and shadows to the hair. Organise your squiggles in white or bright colours like marker-like strokes in black and white over painted. Load the supplied brushes. It looks best to get the paint all at the same angle. Try to keep the drips only as big as the 5px brush stroke that painted the layers above them.
Add these too. You can reduce the really cartoonises the image a little more. This groups. The aim is to make the portrait look like it was painted with the Direction option in the Brush panel. Tweak the background with Fill layers. Color Balance and Vibrance to background. Work on the background Create the adjustments 14 Up to now.
These work particularly well at the bottom of a portrait. This particular dripping from a specific place. Our specific adjustments are of your choice. Doing this not only makes your Pen tool. Once you platform for my designs. When creating a map collage like and so on. Draw a map shapes. The best way or a designer has to perform before touching draw all the buildings.
Using the method from step 3. To make a vectors is that they are easily moveable. Using the Path the Sydney Opera House. The good thing about 02 Begin by drawing the Sydney Opera House roof. Create a diagonal line by clicking on the canvas to make another point. Now 04 Use the Pen tool and the Rectangular tool to draw the rest of 05 Use online images as a reference when drawing your Australian landmarks.
You will only be using this sketch as a guide to what you will be drawing and where it may be placed. Follow us on Tumblr Search for photoshop-creative Open up the sketch Draw lines and curves 01 Start by opening up the sketch from the FileSilo. Because of the because you will be creating a basic Selection tool.
Grab the Pen tool and make your first anchor point by clicking once. Then align the shapes together and the new layer mask still selected. Build doors Cut shapes 06 Make an oval using the Ellipse tool and then make a thin rectangle. Draw the Flinders Station using a To align them. Align shapes Add recognisable buildings Create simple shapes 03 Finish drawing the rest of the roof and then make a horizontal rectangle using the Rectangular tool.
Align and to place. Then align rectangle in the same shape layer. Draw rectangles 03 On the same shape layer. Use the same technique as in step 3. Then with the Pen tool. Call upon the Ellipse Shape Area from the top panel. Next align those rectangles with the circle. Now tool to make the combine them. Tutorial Draw a map with the Pen Expert edit Control shapes Make perfect symmetry Draw circles Combine shapes 01 Make a circle using the Ellipse tool and then make a smaller circle 08 Select the Custom Shape tool and make a triangle.
To reflect the shape. Build basic skyscrapers Draw a tree Copy and rotate 11 Use the Rectangle tool to make the basic shape of the skyscraper. To 12 Use the Pen tool to draw one side.
Duplicate that line several paths together by clicking on the ends of times vertically. Add a layer mask coming out of its blowhole. Ellipse tool to draw the eyes and mouth. A lot of these vectors are quite basic and if you use the tricks from step 8 to combine shapes Plant more trees together. Use the shape layer. You want to make 14 Draw the trunk of the tree using the Rectangle tool.
So using the Pen Area selected to keep the shapes in the same Draw the legs and arms once. Hold down Shift to make a perfect Pen tool. Follow us on Tumblr Search for photoshop-creative Expert tip Imitate in Elements Unfortunately Elements users do not have access to the lovely Pen tool. Then add a layer mask to the whole dolphin folder and use the Eraser to rub away the bottom part of the shape layer.
Next draw a circle below the dolphin. Make sure that trees. Make sure they overlap. Add some clouds Draw a kangaroo Draw animal faces 15 You want to keep this simple. Also remember to have Add To Shape the body and tail.
Use Free method to create different types of clouds. Elements does include a Custom Shape tool. You want to draw a few different types of tree to keep your up simple shapes. Repeat the Pen tool. Use the Pen tool to link the anchor points together.
Aboriginal people. Colour is important at this stage. There is no limit on use the Pen tool to draw the water clouds. It is also should do it. If it has a a great and unique low resolution. Then use the Rectangle tool to Great Barrier Reef. Finding the right price and website to There are loads of upload your artwork is easy-to-use websites important.
Use the Move tool to help move your vectors around — you might have to Once that is done. Visit www. Scale tool to resize some of your elements. Adobe Fuse CC preview is here. Fuse CC but terrified by the complexity of the set of options and playing with settings. Now we have a whole 3D app. Expert edit Working in Fuse. Customise the model Zoom Assemble the model 02 Click Customize above the nascent model. Your first task is to assemble a model. Pick an option customise a mind-numbing array of settings for your model.
Change as little or as much as you like. Pan, rotate and zoom using the the canvas. Head, Torso, tools on the left and your mouse wheel to get Leg and Arm. Add clothing and more 03 Click Clothing. Choose from an assortment of clothing and Pan accessories to outfit the model. The model 02 Move the model around by panning. Click here is pretty bare- and drag to pan. Perhaps a blazer and hip glasses for a dapper gent?
Or a tactical vest and combat helmet for an Apocalypse survivor? Rotate 03 Use the next tool, Rotate R , to you guessed it rotate your model. Using Rotate along with Pan and Zoom will enable you to get a really good look at all of your customisations. Here you can customise the texture Review and save Center and colour of the body parts, clothing and accessories click on something to begin customising it. Again, you can refrain from 05 Check your model and make any final changes.
Add to your Creative Cloud by clicking see your whole model. Save to CC Libraries at the top. Keep at it until 06 Once the model is transferred, go to Photoshop and open the Libraries palette. Double-click on the model to open it. Make sure the top right.
Set Height to about skeleton is selected. In the Properties palette, search the randomisation. Choose Sprinting Click OK. Save to your computer. Select the Move tool. In the 09 Click the light in the 3D palette. Use the on-canvas widget to adjust the direction of the lighting. In the Properties 10 If desired, touch up the model with the Brush tool, Liquify and adjustments.
Make any last positioning changes with the options bar, choose the 1st 3D Mode tool palette, adjust Intensity keep it low. Click 3D Mode tools.
Since rendering can take a Orbit the 3D Camera. On the canvas, click Shadow to turn it off. To add more light, click while, save your document. Click the Render and drag rightward to change the view. When with the other 3D Mode tools if you like.
Set Distance to Click OK. Move highlights leftward. Select the Select the bottom model layer. Paint black in areas to reduce. Edit the model edges Go streak-crazy!
Create a streak 13 Select the top model. Use the Rectangle tool to create a white bar. Set it in 15 Create new streaks. Use Free Transform Skip to next step. Click filter mask. Lightly paint white with Object for flexibility. Play with the Amount even Gradient Overlay. Paint black in masks to fade ends. Add more assets 16 Place the Media Militia and stock images provided for further embellishment. Try various blend modes to Finalise generate colourful interplay among the elements.
Lower the layer opacity setting to reduce. Add layer masks for control. Make any last positioning changes in your image before 17 Finalise with adjustments. Use Levels or Curves to adjust contrast. Use Color Fill layers set to various blend modes to introduce splendorous wrapping up in the next step. When done, be sure to save your creation! Use one of the start PSDs road to completing this image. Regardless of whether you were rich or poor. The process involves newspaper industry has taken a downward Newspapers were responsible for spreading dyeing the paper — something most children turn thanks to the internet.
Create textures from newspaper print Use basic household items to easily age newspaper for a vintage textured effect E veryone knows the feeling of nostalgia as Newspapers and pamphlets have been in In this tutorial. Even though the invented. Now this dyeing process will The thin.
Download free resources here www. The overlap will create interesting much or the coffee will caramelise and burn too long. This piece of newspaper Just crinkle and the texture appears was soaked for around as it bakes. The longer you let it soak. You can use tea. Put the pan in the oven. A convection will be much lighter. Blending Options to distress it more. Then change the blend painted directly onto the newspaper and to show through.
Change the blend mode to Overlay so it looks as though it was Style window to enable the cracks in the wall for more texture. Play with the deteriorating. Clouds and dust were added before in the Netherlands. I work advertising. Transcendence sees him mix a adjustments were made to the photo to give the mostly with Photoshop, traditional portrait with various shapes, masking subject a more otherworldly feel; similar custom Illustrator, RealFlow, and blending disparate objects to create a coherent brushes can be easily found online and can help a Cinema 4D and HDR Light piece of artwork, and a mixed-media piece of sorts.
Russia, Mexico, India and ornate frames that he uses to mask his portraits to For such a simple portrait, the piece has a Australia. We asked Kevin how he created kevinroodhorst. Cut out the model 01 First I cut out and masked the model. You can do this with the Lassos and the Pen tool, or a soft brush for the bottom of the dress. I placed the model onto a blank background — this image uses a deep grey — ready to edit further later.
Add shapes 02 For this image, I added the purple shape and inserted the mirror frame for a little decoration. These are going to be used later on to blend in and mask the model further for a little detail and embellishment at the edges. Continue and adjust 03 More shapes were added, along with lighting effects. These were masked and blended as needed before custom brushes such as clouds and dust were added. The picture as a whole was then blended with final adjustments. Often we think of illustrations as illustrate this book, Alena.
Can you tell us what drew you to the Alena Tkach simply complementing the words in a book project originally? I spent a lot of hours sketching, thinking 2D artist and illustrator from Kharkiv, Ukraine. She is a just as important as the text. What is really nice is that end. I feel my work is better when I have Design and Illustration featured galleries, as well as Neonmob. We caught up with Alena to ask why it is time for revision. How did you begin? I knew that I wanted to come up with something modern and stylish.
I tried to keep objects as simple as possible, a little geometric, but at the same time I needed to draw the attention of children. To bring more life into the book, I added two characters: I did a lot of work choosing the colour palette for each spread separately, too. I wanted each spread to have its own limited colours and atmosphere.
What were your influences when creating the drawings? Well my cat influenced the cat in the book; I see the cat and the pug as pranksters causing a mess in the book. Groenink, Oliver Jeffers, Polina Tsareva, Lisk hand-drawn effects into illustrations, and by sketching in a notebook.
Photoshop allows me to create lots of varieties you go and doodle everything you have in of lines, splashes, textures and effects of mind.
Also, sketching is a good way to free What made Photoshop the right natural materials and drawing tools. The your mind for new ideas. I like its The project has since had over work faster, easier and often more playful.
I functionality and the great variety of features. Are you surprised put all of my ideas into practice, and often I Do you have any advice for people by the popularity of the project? Photoshop never ceases we live in a world of information and and the audience recognises and understands to surprise me. To overcome competition, you have to people, but in some sense, this project is a Photoshop tools? A good way to get turning point for me. I tried a new style and Definitely brushes!
He plantations. He narrowed them down to three filters. Smudge and Gradient school assignment. Lie has been drawing since he was a child.
He used normal Hard and Soft Round then chose a final sketch to complete. Lie used custom brushes for most of the far thumbnails. The task was to take one of tools to create this piece. I drew on top of it all. This phase is never final for me. Overlay layers are what I with the character. I work on the second most important parts of the piece and so on. This is a method my 02 I turned three thumbs into more defined sketches. I also carried out brief research on how civilisation 04 After piecing together the references.
The characters Adding details 06 I made a new layer and painted on top of the lines. Dan Dos Santos. I always start with my characters. When the piece is finished. I then did a colour study in all three of them. Gathering references Drawing Painting under the line 03 I gathered references from the internet for the drawing part. I make some final adjustments on the colour Color Dodge. My teacher reminded me to not just trace 05 First I blocked in colour.
Here I paid close attention to how 07 I rendered and cleaned out the rest of the piece. I usually make the Linear Dodge. Be sure to control the blending mode of each group. Photoshop is a key program in the digital This is before you even consider that We speak to the designers and artists working toolbox of any professional advertising designer.
Photography is used to be added to create a final ad — all of which are the important role that Photoshop plays. Products may be shot multiple times. The level of focus. Using Curves. Aaron Campbell www. One area imagery will have different light that often needs attention is the directions and intensities.
Or even. Whenever elements underexposed. Clients like having the Creating artwork in high resolution from the start is crucial and flexibility to move parts of the PSD around. Krishna Maheshwari of Paintbox www. You get a better end product. I paint in the light and dark edges to add the subtle details like bright spots.
Colour adjustment. If the illustration and typography is drawn by hand. Steve Simpson www. On a new layer I draw over the sketches using the Paths tool. I create the very basic 3D extrusion. Caleb de Gabriel www. Adding additional layers such as a soft drop shadow. These paths are either filled with colour or I apply a brush stroke. Here he breaks down the key components to its success. The document is made up to final print size. Setting up the background 01 The first step is to get the background in place as a base for the artwork.
These assets are then soft masked with a logos are then added as required for the each other. Colours 04 To finish off the design. The sparks are linked to the background. Photoshop is the go-to tool for most professional studios when it comes to compositing.
Adding a logo Compositing the elements Applying final touches 02 Often a logo will be provided by the client to be incorporated into the design. The text and client order to ensure that the colours complement done. We usually adjust the colours of the foreground to match or blend with the background. The blues and reds associate with British Airways and Virgin Atlantic respectively. It also a sense of fun and youthfulness. A warm colour. It allowed us to pinpoint that help you to master colour and tone.
Always use adjustment layers to correct or adjust colour. If you are working for a commercial client. It is also one associated with being eco. It can association with trust. Advertising is all about communication. The AA. The same goes for selective adjustments — use layer masks to isolate sections and you can always readjust as the edits progress.
Use a black soft brush B on the gradient. We will use different the. You will learn how to create colour correction tools.
I use techniques. When working variety of Photoshop tools. For this we can use adjustment layers. It gives incredible Learn how to create a lush photomanipulation using a variety of creative freedom.
Add the light area in the top layer mask to erase the hard edges. What is essential is to download clothing and jewellery. Adjust colour using waterfall. Height to mm. In this tutorial we will consider techniques. Having trouble with your first download? See Troubleshoot Creative Cloud download and installation issues.
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