Readily available reports are as word, ppt, txt, kindle, pdf, rar, as well as zip. can download and read online pdf file book spaces speak are you listening. Spaces Speak, Are You Listening?: Experiencing Aural Architecture. Home · Spaces Speak .. 12 downloads Views 3MB Size Report. DOWNLOAD PDF . How we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater.
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We shape our buildings, and afterward our buildings shape us. sense space by listening is rarely recognized; indeed, some people think such an ability. Spaces Speak Are You Listening Pdf File. Spaces_Speak__ caite.info previous post Space Structure And Randomness Pdf. Spaces Speak, Are You listening? Experiencing aural architecture. By Dr. Barry Blesser & Dr. Linda-Ruth Salter. Cambridge, MA, The MIT Press, , pp.
New York, NY: We experience spaces not only by seeing but also by listening. Chapter Three would serve as an engaging reading on the role that aural spaces and experiences play in shaping society. AddifionaUy, music scholars would seem to be a natural audience for Chapter Five. The book first orients readers by conceptuaUzing relevant terms and concepts, and then locates aural architecture within historical, artistic, scientific, industiry, and academic frames.
Gordon Alley-Young. Cambridge, MA: MIT Press, ISBN Spaces Speak aims to increase readers' understanding of aural architecture or "the properties of a space that can be experi- enced by Ustening" p.
The authors synthesize vast scholarship across discipUnes to clearly articulate aural architecture. Blesser and Salter's aim is to remedy the deariii of knowledge of aural architecture as, "its language and Uterature are sparse, frag- mented, and embryonic" p.
One strength of Spaces Speak is the scope of its research base. The work draws on the findings of engineers, architects, researchers, scholars, historians, anthropologists, theologians, social scientists, and audio industiy experis.
The resulting work cultivates an appreciation for space through attentive Ustening i. In addition, this book speaks to current trends within academia in its cross-discipUnary approach to knowl- edge and its advocacy of dismantUng discipUnary barriers. The book first orients readers by conceptuaUzing relevant terms and concepts, and then locates aural architecture within historical, artistic, scientific, industiry, and academic frames. Blesser and Salter come across as persuasive though not heavy handed advocates for increasing aural architecture's legitimacy through standardizing ways of communicating, studying, measuring, and applying resulting knowledge.
However, Blesser and Slater know the difficulties that come with achieving this goal. This goal presumes finding ways for scholars to work across discipUnary Unes and mak- We have some excellent books awaiting your review to be published in CJC.
Click on the Books for Review tab on cjc-online. Reviewers can be either faculty members or graduate students. Or, if you are keen to review a particular title that you have encountered and feel would benefit other readers, our Book Review Editors can request a review copy for you from the publisher. They also want to hear from authors. Blesser and Slater note that a shared approach is needed because the belief systems that un- derUe discipUnes focus on such divergent informaflon that there is no one conclusive answer.
They argue, "[w]ho asks the question is more important than the nature of fhe answer" p. This work contains four interconnected parts. This section conceptualizes important concepts e. This secflon speaks to the aestheflc and arflsflc experience of space and how technology unbinds it from actual space to give us virtual experiences.
This is the most technicaUy and scientificaUy detaUed secflon of the book as it relates to acousflc science and research, sound industry standards, and profes- sional pracflces. This secflon, especially Chapter 6, is clearly aimed at the scholars and professionals with experflse in the science of acousflcs.
Chapter Eight con- stmcts aural awareness as a product of evoluflon, and given that this discussion is pre- historical, at first glance it seems anachronistic given the book's previous focus on Unear and chronological development of thought. However by taking an evolutionary approach.
Chapter Eight effecflvely brings the work full circle by using evolution to impress upon readers the centrality of spatial auditory awareness to the earUest human experiences.
Blesser and Salter explore these evoluflonary roots in a way that is not redundant given earUer chapters.
For instance, the second theme speaks to social cohesion as coming from the shared experience of sound and an innate human need for survival.
This buUds upon earUer discussions, notably in Chapter 2, that explore sound's users as early organizers and regulators of social Ufe. Blesser and Salter's book communicates a complete understanding of aural archi- tecture to the reader by seamlessly fusing a wide variety of Uterature into a single vol- ume.
It is central to their argument that an understanding of aural architecture requires understanding the many constituent discipUnes and flelds.
Blesser and Salter argue for a more coherent voice for aural architecture, and their means for doing so aUow the work to be accessible to a wide variety of readers. Ceriainly this book appeals primarily to those with experflse in one of the disci- pUnes supporting the discussion, which, as stated previously, are abundant and diverse.
How we experience space by listening: We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture.
Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony.
The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. Every environment has an aural architecture.
The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture's attitudes toward hearing and space. Some listeners can learn to "see" objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling.
Integrating contributions from a wide range of disciplines—including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others— Spaces Speak, Are You Listening?
These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being.
Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects. Spaces Speak, Are You Listening? At last, a book that reveals that spaces are meaningful beyond their acoustics! I was captivated by this impressively well-documented book, and recommend it to anyone with an interest in acoustics or architecture.
Blesser and Salter have thoughtfully synthesized a wide range of technical, aesthetic, and humanistic considerations of aural architecture to create a valuable interdisciplinary resource for anyone interested in thinking about sound, space, and society. Architectural Acoustics and the Culture of Listening in America, This wide-ranging, articulate, and probing investigation of how humans listen helps us to appreciate the value of natural and constructed acoustics.
It also shows that our sense of the space of sound has largely been lost in the vast library of recorded music.